Showing posts with label slavery. Show all posts
Showing posts with label slavery. Show all posts

Saturday, July 9, 2016

Crossing Bok Chitto: A Choctaw Tale of Friendship and Freedom

Tingle, Tim, and Jeanne Rorex Bridges. Crossing Bok Chitto: A Choctaw Tale of Friendship & Freedom. El Paso, TX: Cinco Puntos, 2006. Print.

When Martha Tom crosses the forbidden river, she happens to come upon a forbidden church in the woods as she picked berries for her mother. When Little Mo is told to take her back to the river, he hesitates worried he will be caught by the slave owner and will be punished. After arriving to the river, Martha Tom shows Little Mo how to cross. Every week Martha Tom crossed the river, until crisis hits Little Mo’s family and they have to make a decision to cross the river forever or not.

Illustrator Bridges provides the reader simplistic shades of browns, deep reds, blacks and whites. The illustrations represent the culture through the clothing of slavery and the Indians, the architecture displays the shacks teh slaves took shelter in, as well as the master’s plantation home. The lines of the characters features, clothing, and landscape are thin, while bold lines convey the characters hair. The skin color between the character varies between the African Americans and the Indians, from soft caramel browns to deeper chocolate, both displaying deep black hair of either curls or straight and wavy.

Tingle provides the reader a story of suspense and hope as Martha Tom goes beyond the boundaries of her tribe, while Little Mo leaves the plantation with the worry of being caught. Tingle displays a forever lasting friendship and demonstrates how helping others can lead to freedom to a better life of survival. He provides the reader with a sense of history and the dangers slaves faced when families were separated, sold, forces to leave and forbidden to meet for worship.  

Reviews 

*Starred Review* Gr. 2-4. In a picture book that highlights rarely discussed intersections between Native Americans in the South and African Americans in bondage, a noted Choctaw storyteller and Cherokee artist join forces with stirring results. Set "in the days before the War Between the States, in the days before the Trail of Tears," and told in the lulling rhythms of oral history, the tale opens with a Mississippi Choctaw girl who strays across the Bok Chitto River into the world of Southern plantations, where she befriends a slave boy and his family. When trouble comes, the desperate runaways flee to freedom, helped by their own fierce desire (which renders them invisible to their pursuers) and by the Choctaws' secret route across the river. In her first paintings for a picture book, Bridges conveys the humanity and resilience of both peoples in forceful acrylics, frequently centering on dignified figures standing erect before moody landscapes. Sophisticated endnotes about Choctaw history and storytelling traditions don't clarify whether Tingle's tale is original or retold, but this oversight won't affect the story's powerful impact on young readers, especially when presented alongside existing slave-escape fantasies such as Virginia Hamiltons's The People Could Fly (2004) and Julius Lester's The Old African (2005). Jennifer Mattson

School Library Journal
Grade 2-6–Dramatic, quiet, and warming, this is a story of friendship across cultures in 1800s Mississippi. While searching for blackberries, Martha Tom, a young Choctaw, breaks her village's rules against crossing the Bok Chitto. She meets and becomes friends with the slaves on the plantation on the other side of the river, and later helps a family escape across it to freedom when they hear that the mother is to be sold. Tingle is a performing storyteller, and his text has the rhythm and grace of that oral tradition. It will be easily and effectively read aloud. The paintings are dark and solemn, and the artist has done a wonderful job of depicting all of the characters as individuals, with many of them looking out of the page right at readers. The layout is well designed for groups as the images are large and easily seen from a distance. There is a note on modern Choctaw culture, and one on the development of this particular work. This is a lovely story, beautifully illustrated, though the ending requires a somewhat large leap of the imagination.–Cris Riedel, Ellis B. Hyde Elementary School, Dansville, NY

Teachers can use this book to discuss traditions, folklore, and different cultures. Younger students can compare and contrast the characters and ways of life from each side of the river using a Venn diagram. They can practice identifying problem and solution within a story.


I did enjoy this book, especially the suspense behind Little Mo and his family escaping to the river. I liked how the colors and the illustrations were simplistic, but bold in a sense that it embraced the time period of the story. The landscape was detailed and very ideal of what it would look like. The story presented a era in history that students will study, but not really read stories about. This would be a great introduction or ending to a unit. Students could take what they learned from the unit on slavery and create their own story that uses the same themes as this story.

Thursday, June 30, 2016

The Surrender Tree: Poems of Cuba's Struggle for Freedom

Engle, M. (2008). The surrender tree: Poems of Cuba's struggle for freedom. New York: Henry Holt and Company.

Freedom is something that she has yet to be given in the three wars that Cuba faced in the late 1800’s. Rosa is a nurse who hides in the forest of Cuba and heals the wounds of the people, both local and opposing slave hunters and soldiers. She even heals the one soldier who is out to find, kill and claim the bounty for her. Through the poetic verses, Rosa cures who she can and fights the battle of illness from one patient to the next hoping for the better in the end. 

Margarita Engle tells the story of a slave, Rosa, who lives to help and heal the sick. As a Cuban American poet, Engle gives the reader several point of views from being the slave and helping defeat the war, to the opposing side of those initiating the war, to one who a escapes Cuba with a hope of paradise in the future. The short stanzas are easy to read and can be discussed individually and the reader can vividly imagine each character and the forest of Cuba. Engle does a fantastic job providing such imagery and simplicity in text for young readers through the free verse poems.

I enjoyed this book of poems. The simplistic reading made it flow from one character to another and one event to another. I wan able to focus on what Rosa was doing and see points of views of those who cared for her and what they did for her. I also saw what hatred and greed did to others, such as Lieutenant Death. These poems would be a great way to present the wars in Cuba and conduct research on what caused those wars and provide insight of both sides of the war. The book provides a chronological timeline of events that students can use to assist them in their reading of the free verse poems.

Reviews

School Library Journal
Grade 9 Up—Often, popular knowledge of Cuba begins and ends with late-20th-century textbook fare: the Cuban Revolution, the Cuban Missile Crisis, and Fidel Castro. The Surrender Tree, however, transports readers to another, though no less tumultuous, era. Spanning the years 1850–1899, Engle's poems construct a narrative woven around the nation's Wars for Independence. The poems are told in alternating voices, though predominantly by Rosa, a "freed" slave and natural healer destined to a life on the lam in the island' s wild interior. Other narrators include Teniente Muerte, or Lieutenant Death, the son of a slave hunter turned ruthless soldier; José, Rosa's husband and partner in healing; and Silvia, an escapee from one of Cuba's reconcentration camps. The Surrender Tree is hauntingly beautiful, revealing pieces of Cuba's troubled past through the poetry of hidden moments such as the glimpse of a woman shuttling children through a cave roof for Rosa's care or the snapshot of runaway Chinese slaves catching a crocodile to eat. Though the narrative feels somewhat repetitive in its first third, one comes to realize it is merely symbolic of the unending cycle of war and the necessity for Rosa and other freed slaves to flee domesticity each time a new conflict begins. Aside from its considerable stand-alone merit, this book, when paired with Engle's The Poet Slave of Cuba: A Biography of Juan Francisco Manzano (Holt, 2006), delivers endless possibilities for discussion about poetry, colonialism, slavery, and American foreign policy.—Jill Heritage Maza, Greenwich High School, CT

Booklist

*Starred Review* As in The Poet Slave of Cuba (2006), Engle’s new book is written in clear, short lines of stirring free verse. This time she draws on her own Cuban American roots, including stories from her grandmother, to describe those who fought in the nineteenth-century Cuban struggle for independence. At the center is Rosa, a traditional healer, who nurses runaway slaves and deserters in caves and other secret hideaways. Her husband, José, a freed slave, also speaks, and so does a refugee child, whom Rosa teaches to be a healer. Then there is the vicious slave hunter known as Lieutenant Death; his collection of ears is an unforgettable image of brutality (“shown as proof that the runaway slave / died fighting, resisting capture”). The switching perspectives personalize the dramatic political history, including the establishment of the world’s first “reconcentration camps” to hold prisoners, as well as the role of slave owners who freed their slaves and joined the resistance against Spain. Many readers will be caught by the compelling narrative voices and want to pursue the historical accounts in Engle’s bibliography. Grades 6-12. --Hazel Rochman