Say, A. (2011). Drawing from memory. New York:
Scholastic Press. One way to
capture the memories of the past is though drawing them, just like Allen Say
did. Through his illustrations, Say paid tribute to his mentor who guided him
in his illustrations and his journey to America. As the world around him
changed, so did Say’s understanding of what he was supposed to do in his life,
work everyday all day doing the same thing or captivating his ever changing
world around him through his drawings.
The diction of
Say’s graphic novel are careful and gentle to the reader and calming as one
readers his story of his journey to America. Say is able to convey to his
readers how he felt growing up in Japan wanting to become a cartoonist, even
when it was disapproved of. He elaborated his love of drawing and the struggles
he endured when drawing live models and how he practiced to master the skills
he needed to illustrate his pieces.
From black and
white to natural hues, Say presents his story to his readers of his experiences
as a intern of a great Japanese cartoonist, Noro Shinpei. Each page is filled
with illustrations or photographs giving the reader real history, culture, and
ideas of how Say lived and experienced life while in Japan. Soft lines, peachy
skin tones, and simplistic sketches, Say shows the reader both the traditional
and modern dress that was worn by his culture before and during World War II. Traditional architecture is sketched throughout the pages, as well as, cartoons
that he and his mentor and spiritual father illustrated. Facial expressions are easily identified even
for a young child. From a comic book layout to random sketches, Say portrays to
his readers the courage and endurance he had to follow his dreams in becoming a
cartoonist.
Reviews
School
Library Journal
Gr
4-7-This "journey through memories" uses a scrapbook format featuring
the author's photographs, sketches, drawings, and comic-style panels. Say
shares his love of comics and the important influence they have in his art. The
book is a poignant tribute to his mentor, Japanese cartoonist Noro Shinpei.
KIRKUS
Exquisite
drawings, paintings, comics and photographs balance each other perfectly as
they illustrate Say’s childhood path to becoming an artist.
Although
its story overlaps with The Ink-Keeper’s Apprentice (1979), this visual
chronicle is a fresh new wonder. It opens with a soft watercolor map of Japan
on the left, framed in a rectangle, while on the right is a delicate,
full-bleed watercolor of Yokohama’s seashore and fishing village, with two
black-and-white photographs pasted on: Say as a child, and the stone beach
wall. The early arc takes readers from Say’s 1937 birth, through family moves
to escape 1941 bombings and then Say’s nigh-emancipation at age 12, when his
mother supported him in his own Tokyo apartment. The one-room apartment “was
for me to study in, but studying was far from my mind… this was going to be my
art studio!” The art table’s drawer handle resembles a smile. Happily
apprenticing with famous cartoonist Noro Shinpei, Say works dedicatedly on
comic panels, still-lifes and life drawing. Nothing—not political unrest, not
U.S. occupation, not paternal disapproval—derails his singular goal of becoming
a cartoonist. Shinpei’s original comics are reproduced here, harmonizing with
Say’s own art from that time and the graphic-novel–style panels, drawings and
paintings created for this book.
Aesthetically
superb; this will fascinate comics readers and budding artists while creating
new Say fans. (author’s note) (Graphic memoir. 10 & up)
At first I
didn’t really know what genre this book fell into as it addressed a memoir,
narrative of history, or graphic novel because of the illustrations and
comics. When reading it, I imagined an
elderly gentleman reading this out loud to a group of children, with a calm
soothing voice stopping to reminisce his past and showing his illustrations and
talking about certain photographs. This would be a great book to show students
who want to be artists or questions whether or not it is a path in which they want
to take. The book could also be used as a way to show that when you believe in
yourself and follow your dreams, you can find what you are looking for as your
purpose in life.
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